Of course, Plankton, Squidward (Rodger Bumpass), Mr. Krabs (Clancy Brown), and Sandy (Carolyn Lawrence) will join in on the shenanigans too. This signature cast crackles, delivering the sugar-high energy that fans have come to expect from these outlandish undersea creatures. The visual gags and banter are still gleefully silly. For instance, when SpongeBob commends Patrick for his sense of “irony,” the dopey starfish responds by ironing a shirt with comically smug satisfaction. Yet for all this familiar fun, there’s a new look to the crew.
The hand-drawn animation originated by the late Stephen Hillenburg has been re-imagined in bouncy CGI. This is a cuddlier 3D aesthetic than was unfurled for the climax of The SpongeBob Movie: Sponge Out of Water, where the gang took to land and briefly became superheroes. This time, the characters look like squishy toys that might spring from the screen to run amok around your living room. Their soft makeover pairs with a string of childhood flashbacks to serve as a backdoor pilot for the upcoming spinoff series, Kamp Koral: SpongeBob’s Under Years. Though these detours to the past are fun, they slow down the rollicking ride of this road trip comedy. Thankfully, a pit stop in the Western ghost town of Goner Gulch provides a wallop of welcome wackiness.
In this live-action setting, a parade of celebrity cameos begins, including Danny Trejo, Snoop Dogg, and Keanu Reeves, who plays a talking tumbleweed of sage, named Sage, who is a wise sage! While some co-stars might match SpongeBob’s level of zany, Reeves plays his role surprisingly straight. Tumbling after the dim-witted duo and delivering advice, Sage grows irate as they barrel into one radical mistake after another. A recurring gag is born from their irrepressible impulsiveness challenging Reeves’s trademark chill, turning his grumbles into our gain.
Every Exclusive Movie and TV Series Coming to Paramount+
Matt Berry proves another stellar addition to the SpongeBob universe. The What We Do In the Shadows star lends his bold voice and bravado to Poseidon, swiftly establishing the immodest merman as a megalomaniac from the first boom of a petty pronouncement. Whether he’s hollering at his servants or applauding a stage show, Berry brings the kind of over-the-top energy that makes Poseidon snap right into place with the rest of these wild maroons.
Poseidon’s kingdom is a casino metropolis under the sea, providing a dramatic contrast to the small-town vibe of Bikini Bottom. Naturally, SpongeBob and Patrick get caught up in the razzle-dazzle and sugary churros. The bright lights, big city vibe allows director Tim Hill to pack the final act with eye-popping color. Plus, this more mature location sets the stage for allusions that’ll play better to grown-ups, like a tentacle parody of Kenny G or spoofs on courtroom dramas and castle-crashing showdowns. There’s a healthy dose of action in chase scenes and fights, more playful than violent. Yet there’s something missing that keeps The SpongeBob Movie from being great. It’s just not weird enough.
SpongeBob has long been defined by a brand of humor that is kid-friendly, silly, slyly observational, but ultimately unapologetically weird. The films thus far took Hillenburg’s bonkers realm and spun it into wondrously WTF big-screen spectacle, like SpongeBob and Patrick riding the freckled back of Baywatch’s David Hasselhoff as he serves as a human jet ski. Moments like these are so bizarre they feel like Pop Rocks are bursting in your brain. The surreal unpredictability brings a rush of joy! The SpongeBob Movie: Sponge On The Run absolutely has bizarre bits, but nothing so out there that it achieves that Pop Rocks rush.
The 25 Best Adult Cartoon TV Series