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Bloodborne deserves way better than 30fps on the PS4


Last month Sony’s Jim Ryan casually confirmed that more first party PlayStation games are coming to PC. “Particularly from the latter half of the PS4 cycle our studios made some wonderful, great games,” Ryan said. “There’s an opportunity to expose those great games to a wider audience and recognise the economics of game development, which are not always straightforward. The cost of making games goes up with each cycle, as the calibre of the IP has improved. Also, our ease of making it available to non-console owners has grown. So it’s a fairly straightforward decision for us to make.”

The first exclusive is Days Gone, due in spring, with no others announced so far. There have been calls for the usual candidates: God of War, various Naughty Dog games, Spider-Man, etc.

But let’s get real. Though I may be a PC gamer, my favourite game ever is Bloodborne, the 2015 PlayStation 4 exclusive by Hidetaka Miyazaki and FromSoftware. It’s not too hard to imagine the corporate backstory to this game: Sony had seen Demon’s Souls turn from a PS3 exclusive into the cross-platform Dark Souls phenomenon. Thus it approached FromSoft and Miyazaki with a big bag of money and said ‘please make us a PS4 exclusive like Demon’s again, do whatever you want.’

Bloodborne, the hunter's nightmare.

(Image credit: Fromsoftware)

That’s my head-canon anyway because, as someone who’s played every one of these games to the point of exhaustion and written extensively about their design and lore, Bloodborne’s world of Yharnam feels like Miyazaki’s most personal, self-contained, and perfect creation. 

The greatest games are the most coherent: the worlds in bottles so fully-formed, so enveloping, so thought-through in every detail the player forgets about the glass. In Bloodborne the player character heals through injecting blood, the reason they and others have come to the baroque and fog-muffled streets of Yharnam: blood that runs from higher planes down into the corpse-filled sewers, and stains and twists and corrupts everything it passes through.

Making contact in Bloodborne.

(Image credit: Fromsoftware)

Bloodborne has been called Lovecraftian, an over-simplification of a game which takes iconic elements from many myths to build its own Frankenstein’s monster. This is science fiction of the 19th-century breed, where humankind’s ambitions are desperately rubbing up against rudimentary technology and tantalisingly incomplete notions of how bodies actually work. An atmosphere of experimentation, lanced around the edges with electricity, and at its core—then as now—is blood. The stuff of blood, what blood does, and how it might perhaps be improved on.

Human drive pumps relentlessly through Bloodborne. The marketing suggested this was merely about werewolves. But the pace and the way in which Yharnam’s secrets unfold has no equivalent, both in how the game allows the player freedom to explore widely, and in how it escalates the nature and scale of the undertaking. The journey changes, goals shift, the player begins to question where reality lies.

Buddies in Bloodborne, including a familiar one.

(Image credit: Fromsoftware)

Oh… I’m racing ahead of myself. The argument for Bloodborne coming to PC isn’t just that it’s a classic, but that it’s currently stuck on Playstation 4 hardware: you can stream a version of it using the Playstation Now service, but it remains the PS4 version. Bloodborne was not updated in any performance related way for either the PS4 Pro or PS5 hardware. It’s trapped in a 30 fps cage, on a console that is entering its later years.

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